Abortion: Social Issue or Shock Art?

by Kelly

There’s an article in Bitch magazine entitled, “Point/Counterpoint: Art or Bloody Shame.” In this piece, two writers discuss whether or not a Yale student’s senior art project is merely “shock art” or “fodder for anti-choicers.” Basically, a student named Aliza Shvart created a performance piece that entailed, over a nine month period, repeated attempts at artificial insemination and self-induced miscarriages – all of which was recorded on video. If that wasn’t enough, Shvart intended to show her own blood from the miscarriages mixed with Vaseline between plastic sheets.

Gross, huh? According to the artist her goal was “to spark conversation and debate on the relationship between art and the human body.” Call me prudish or old-fashioned, but this doesn’t seem like art to me. However I don’t want to get into a debate about what is or isn’t art. I want to talk about abortion.

Bitch writer Jennifer McDaniel makes a good point that Shvart’s artworks, “have left pro-choice advocates in the unenviable position of grudgingly defending the student’s right to use her body in any gruesome way she wants.” This raises a controversial question: how far are pro-choicers willing to defend the right to privacy? Shvart is exercising her right to freedom of expression: she is, after all, choosing to artificially inseminate herself, choosing to video tape herself miscarrying, and so on.

The problem lies in the frivolity of her actions. I believe that when women become pregnant and then choose to abort their fetus, it is because they have carefully weighed the consequences of their actions. They are making an educated decision about their bodies and their lives. Shvart, on the other hand, is reducing such an important facet of human life to what can only be called “shock art”. Do I believe she is a baby murderer? No, because I don’t believe life begins at conception. Do I think she is wrong to tape her miscarriages? No, because she is entitled to do what she wants in the privacy of her own home. However, I agree with Yale’s decision to ban her artwork; it is, after all, a private institution and her artwork is not sensitive to the gravity of the issues at hand: motherhood, abortion, choice, and women’s right to privacy.

Most problematic is that Shvart’s art feeds into the misconception that people who are pro-choice relish the thought of “murdering innocent babies” and enjoy provoking their pro-life counterparts. This couldn’t be further from the truth. Although many (including John McCain) believe that pro-choice = pro-abortion, the reality is that pro-choicers just want women to be able to make their own decisions about their body without the government or other people’s interference. Shvart’s actions are protected by this notion but they certainly are not promoted or supported by the pro-choice cause. It’s just like with freedom of speech – you are allowed to use hateful language by law but most people engage in self-censorship out of respect to other people’s feelings. A woman aborting her fetus is a private matter; displaying a video of your self-induced miscarriages on a college campus is not. Shvart’s art is shocking, yes, but it is also offensive and of questionable taste. Her video could have a harmful effect on women who have experienced involuntary miscarriages. Furthermore, she seems to make a mockery of the entire abortion debate: not only does she paint pro-choicers as careless and reckless, but she provokes pro-lifers who honestly believe she is murdering numerous human beings. No matter which side you are on in this debate, I think we can agree that Shvart’s shock art adds unnecessary controversy to an already controversial social issue.

What do you think of Shvart’s performance art? Am I being too dismissive of her “artwork”? Is the thought of video-taping induced miscarriages disgusting to you or morally reprehensive? Please weigh in.

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